Gwyneth Walker

Concerto for Bassoon and Strings

(2000)
(piano reduction available)

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Listen to a RealAudio (G2) stream of the first movement of this work performed by Janet Polk, bassoon and the Concord Community Music School String Quartet.
Listen to a RealAudio (G2) stream of the second movement of this work
Listen to a RealAudio (G2) stream of the third movement of this work
Download an MP3 file of the first movement of this work performed by Janet Polk, bassoon and the Concord Community Music School String Quartet.
Download an MP3 file of the second movement of this work.
Download an MP3 file of the third movement of this work.

Download an MP3 file of the first movement of this work performed by John Friedeman, bassoon and the San Marcos Symphony, Jack Herriman, conductor.
Download an MP3 file of the second movement of this work.
Download an MP3 file of the third movement of this work.

Download an MP3 file of the third movement of this work performed by John Gibson, bassoon and the University of Louisiana at Monroe, Myron Turner, conductor.

Listen to a RealAudio (G2) stream of the first movement of this work performed by Jonna Goulding, bassoon and the Vermont Philharmonic Orchestra, Louis Kosma, conductor.
Listen to a RealAudio (G2) stream of the second movement of this work
Listen to a RealAudio (G2) stream of the third movement of this work

Download an a MP3 file of the third movement of this work (piano version) performed by Susan Hess, bassoon and Sandy Mauchley, piano.

View/download a perusal PDF file of the full score of this orchestral work.

View/download a PDF file of selected sample pages from the solo bassoon part of this work.


The three movements of the Concerto for Bassoon and Strings focus on three distinct sets of characteristics often associated with the Bassoon: bouncy & light; lyrical & expressive; rhythmic & assertive.

The first movement, "A Light Touch," is marked "with a joyous lilt." The bassoon enters, bouncing down the scale, and then jumping back up the octave. This diatonic theme is contrasted with sections that carry the tonal center far from the original D Minor, into the A Flat regions. The contrasting sections bring some dissonance and syncopation against the theme. But, all resolves quickly at the end. This movement is a rondo in form.

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